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BLACKY, combining precision and simplicity to achieve a perfect presentation.

 

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© Michael Meliani, Productions of TheatreWorks, Singapore, www.theatreworks.org.sg

 
 

The following venues are currently using BLACKY:

- Bayerische Staatsoper

- Konzerthaus Berlin

- Münchner Kammerspiele

- Schauspielhaus Zürich

- Tanzquartier Wien

- Staatstheater am Gärtnerplatz, München

- Bayerische Theaterakademie August Everding im Prinzregententheater

- Theater Magdeburg

- Forum Freies Theater Düsseldorf

- Fritz Rémond Theater im Zoo, Frankfurt/Main

- Künstlerhaus Mousonturm, Frankfurt/Main

- Renitenztheater, Stuttgart

- Theater Freiburg

- Kleines Theater Kammerspiele Landshut

- Akademie der Künste, Berlin

- Hochschule für Künste, Bremen

- Bühnen der Stadt Köln

- Landesbühnen Sachsen

- Landestheater Coburg

- Landestheater Eisenach GmbH

- Landestheater Tübingen

- Stadttheater Bremerhaven

- Theater Freiburg

- Theater im Pfalzbau, Ludwigshafen

- Theater Ingolstadt

- Theater Kiel

- Theater Magdeburg

- Vereinigte Städtische Bühnen Krefeld und Mönchengladbach

- Wilhelma Theater, Stuttgart

- Theatreworks, Singapore

and many more ....

 

The most common applications of BLACKY:
Theater: Masks the grey light spillover of projectors in standby mode.
Presentations: Masks unwanted logos and wallpaper screens.
Peformance and exhibitions: for programmed and automated sequences.
Slide shows: For quick blackout transitions.

 

REFERENCES

 

Ingo Schäfer and Yvonne Simpson

Gig-Events, Berlin: (http://www.gig-pa.de)

We recently tested the BLACKY and are extremely satisfied. It’s so easy to use and self-explanitory, that anyone in our company can install it without instructions.
It’s a big help when everything has to go fast during complex productions. At the moment we have two units running in a 24-hour installation and they perform exactly how they should with no breakdowns- what more could you want?


Michael Meliani
Sound- and Videodesigner:

We used a BLACKY and a prototype in a production in Singapore, Brisbane and Melbourne and it it was a massive improvement over the other machines we tried the past year. We finally have a professional solution instead of having to wildly improvise to get the job done. Even the local technicians were surprised that a blackout could be realised so easily.

 

André Schulz
Head of the Sound and Video Department at the House of World Cultures in Berlin:

Working with artists is not always easy and a director knows how he wants a set-up to look even if it causes the technicians a headache or two. More often we were required to blackout a video projector, which was very difficult when it’s not installed in a control room where you can simply shade the lens. If it’s hanging up high in a truss, than you’ve got a problem. One time we improvised a shutter out of a speakerbox and a color changer, which was not too bad, but since we bought the BLACKY, we waste a lot less time messing around in the workshop.

 

Tom Lee Petterson
Multimedia and Sounddesigner:

Demanding customers expect a professional presentation in any situation, even for laptop projections. A quick blackout allows the presenter time enough to search for the next picture, or it can mask those logos or “no signal” screens that nobody wants to see. We’ve impressed many customers with the BLACKY already.
In one case we presented a slide show with three projectors and BLACKY units and achieved an impressive quick-change effect. It was a great success.

 

 

 

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